Why so much hate? The concept (opera), the genre (progressive), the design (iconic Hipgnosis), the success (monstrous)? Pink Floyd’s masterpiece crystallizes everything that a certain idea of rock jeers at, like the “I hate Pink Floyd” t-shirt worn by Johnny Rotten in the mid-1970s.
Flirting with 50 million copies sold, behind the untouchable “Thriller” (66 million), the album rivals AC/DC’s “Back in Black” and is ahead of the soundtrack of “Saturday Night Fever” in the record book. After the psychedelic avant-garde, light shows of the UFO Club and the London underground, the exclusion of its founder Syd Barrett in 1968 p
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