The last installment of Between the sky and the cloudspodcast presented by Laura Escanes, had Beatriz Luengo as a great protagonist. The artist and actress shared several aspects of her extensive career both in music and on television, although the most notable was when she revealed the reason why she was rejected to be part of the cast of one of the most iconic series in the history of our country, such as Count me how not.
Luengo appeared at the casting to give shape to the role of the eldest daughter of the Alcntara familyalthough she did not succeed due to an issue that completely upset her. One of the members of the production accused her of having an operated nose.. Something that denies and continues to deny emphatically. I was doing the pilot of Cuntame and, at the last moment, they told me that someone on the team became obsessed with the fact that I had an operated nose.. It was not true. From one night to the next I was no longer part of the cast..
That has given me the feeling that it is never enough
This rejection was a setback for her, but she was able to recover thanks to the offer she received to be a member of Un Paso Ahead, a series in which she took off as a professional. That has given me the feeling that it is never enough, but sometimes things happen that are not my responsibility, but I always put them in my balance.he assures.
Sexualization in music was also present in this conversation. The artist remembered the words of Aitana Ocaa, who publicly denounced that a man is never questioned about the content and author of his songs. I cried listening to Aitana give that speech, I wrote something to her online and I applauded her enormously because she is very right. YesShe always has to want it to not fit in her mouth or to be watered with a hose. Don’t you realize that it is a sexuality that always gives man pleasure?.
He also remembered the regrettable episode he had to face during a session. I was at a session for a female artist and I was composing: I want you to hose me down with your hose all night long. She did not remain silent and told him the following: I told them: Why if we are composing for a female artist who is going to talk about sexuality, don’t we talk about something that gives pleasure to women?
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