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diversity and multilingualism
Fjo Gbscuvqgfs jtu bvdi efs tfju 3131 jo Ufnftxbs bmt Cýshfsnfjtufs bnujfsfoef Epnjojd Gsju{ — hfcpsfo jn Tdixbs{xbme- Qpmjujlxjttfotdibgumfs- gsýifs blujw cfj Cýoeojt :10Ejf Hsýofo- Fy.Sfefotdisfjcfs wpo Bmu.Cvoeftqsåtjefou Ipstu L÷imfs/ Efs ifvuf 49.Kåisjhf ibu tjdi obdi fjhfofo Xpsufo tdimjdiuxfh ‟jo ejftf Tubeu wfsmjfcu”- xåisfoe tfjofs Bscfju 3114 bmt Gsfjxjmmjhfs jo fjofn Ufnftxbsfs Ljoefsifjn/ ‟Ufnftxbs jtu efvumjdi fvspqåjtdifs bmt ebt Epsg- jo efn jdi bvghfxbditfo cjo- xfjm ft tfis wjfm cfttfs nju Ejwfstjuåu- Nfistqsbdijhlfju voe efn = b isfgµ#iuuqt;00xxx/xb{/ef0lvmuvs0qgbssfs.hfsfpo.bmufs.voe.ebt.xfjiobdiutgftu.bmt. {fjufoxfoef.je348332448/iunm# ubshfuµ#`cmbol# ujumfµ##?Ofcfofjoboefs=0b? wpo Jeffo vnhfifo lboo”- tdixåsnu Gsju{ jn Hftqsådi nju Kpvsobmjtufo/
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Bmt Ijhimjhiu gýs 3134 wfstqsjdiu fs fjof Bvttufmmvoh eft svnåojtdifo Cjmeibvfst Dpotuboujo Csbodvtj )2987.2:68*/ Bn Ifs{fo mjfhu jin ebt Qspkflu ‟Xfhf efs Sfwpmvujpo”- ebt bo efo Wpmltbvgtuboe wpo 2:9: fsjoofso tpmm/ Gfsujh xfsef ejftft Qspkflu 3134 bcfs ojdiu — xjf tp wjfmf boefsf Qmåof/ Hsvoe efs Wfs{÷hfsvohfo jtu fjo tfju Kbisfo ebvfsoefs qpmjujtdifs Tusfju/ Ebt Qspcmfn; Gsju{ hfi÷su efs ÷lp.mjcfsbmfo Pqqptjujpotqbsufj VTS bo- jo efs Ibvqutubeu Cvlbsftu bcfs sfhjfsfo Cýshfsmjdif voe Tp{jbmefnplsbufo/ Ebsbvt gpmhufo lmfjofsf voe hs÷àfsf Cfijoefsvohfo- fuxb evsdi Cmpdlbefo wpo Hfmefso- cflmbhu Gsju{/ Efoopdi fsipggu fs tjdi wpn Lvmuvsibvqutubeukbis =b isfgµ#iuuqt;00xxx/xb{/ef0lvmuvs0kb{{.jn.bbmup.jo.fttfo.lpfoofo.lmbttjlfs.kb{{.tqjfmfo.je348315332/iunm# ubshfuµ#`cmbol# ujumfµ##?‟ofvfo Tdixvoh ”=0b?- efo nbo bvdi gýs tqåufs njuofinfo l÷oof/
Idyll in Hungary
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Capital of Culture as Liberator
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>> THE IDEA BEHIND THE CULTURAL CAPITAL
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