Slowly, low profile and without despair, the boy was advancing and growing in a world that will always seek to compare him with his father, a consecrated heartthrob from the continent. Stefano is son of Christian Meier, but he is also one of the characters that stands out in ‘Maricucha 2’, a telenovela that is broadcast on America Television, and the reference to his father is being left aside and now it is ‘Rulitos’ or Doménico. The magic of television introduces us to a future protagonist.
‘Pichangueo’ in the school’s alumni league.
True, ha ha.
Also on Tuesdays with friends from the university.
On the wings and I’m fast.
I run a lot, but I lack physique, heh.
Because of my family I am from the ‘U’.
I follow Bayern Munich and PSG.
I have never been crazy about him.
I enjoy them both.
He is a big fan of Diego.
I can’t say that.
Stefano Meier and his interview with Trome.
Since I’ve been on the show, we’ve only met at home.
What I listen to the most is ‘Rulitos’, or Doménico.
No, I work hard for what I want.
I want my effort to speak for itself.
I have been playing the guitar since I was eleven years old, also the piano and other instruments.
Movie music and I also did some themes for some people.
I’m tuned.
I don’t serenade.
Yes, the good ones, but not all day.
Not to listen in the car, but to dance.
There was a golden age, such as Don Omar and Aventura singing: ‘Ella y yo’.
It has everything: lyrics and music.
That’s how it is.
I wouldn’t be friends with one of them
I wonder how you would live peacefully?, ha ha.
Only when I go to a party.
I spin and I can get the 8, but spin like a top no longer.
Yes. My dad is a great composer.
First. My father for the joke is witty.
Stefano Meier and his interview with Trome.
I like to organize my day and a fifteen minute delay moves everything.
Curiously they pulled me into art.
I stopped in an egg, ha ha.
To you, a big hug and greetings to the followers of the soap opera, it feels good to know that people like it.
End of a talk, I think he is an actor who is on the right track, that it was necessary to ask him about his father, but it seems to me that I will never do it again. As the famous Quino, creator of the brilliant ‘Mafalda’, would say: ‘Perhaps one day they will let young people invent their own youth’.
