theater critic
It is a simple comedy, exempt from any other claim than to tell a story of three human beings, of three solitudes that meet and relieve each other.
Luis has found the perfect apartment for price, location, spaciousness, but… he has a ‘but’; if he buys it, he has to stay with its owner, an old woman who, in theory, has a short time to live. That is the starting point of ‘El inconvenience’, the work that Juan Carlos Rubio has set up almost by chance, after having to abandon another project in which the actors and the artistic team participating in the production were involved.
‘El inconvenience’ is a work that premiered a few years ago with the title of ‘100 m2‘; a simple comedy, exempt from any other claim than to tell a story of three human beings, of three solitudes that meet and relieve each other. Juan Carlos Rubio practices -and ‘El inconvenience’ is no exception- a theater with architecture as classic as it is solid, with familiar and recognizable characters and fresh, everyday dialogues.
The function is ‘theater of always, said as a compliment, with its drops of humor and sensitivity and its pinch of emotion. The characters begin the journey at two ends but -the touch makes the love- they end up walking together. It is more what unites us than what separates us, the author seems to want to say in an absolutely necessary message in these days of extreme polarization. Kiti Manver offers a new lesson in naturalness and shows its hierarchy, which infects the great Christopher Suarez and Martha Velilla.
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