Nobility expert Lisbeth Bischoff and the Austrian Brass Consort invited to the royal evening in the Freudenhaus.
Lustenau. “If at 6:20 a.m. for King Charles III. the alarm clock rings, the bath plug has to point in a certain direction, the bath towel has to be arranged correctly and his underwear has to have no folds in the wrong place. The butler already hands him the toothbrush with the right amount of toothpaste – the start of the day was a success.” Right at the start of her reading, aristocrat expert Lisbeth Bischoff gave a foretaste of what the everyday life of the newlyweds, which might be bizarre for outsiders, was during her visit to the Freudenhaus last Saturday Head of the United Kingdom is concerned. Bischoff has been reporting on royal events for international media for decades and has had the pleasure of meeting the new king and wife Camilla in person several times.
Insights into the daily routine of a king
And so the royal connoisseur had the appropriate anecdotes about the numerous whims and whims of the British king with her when she visited the brothel. In addition to familiar details such as his love of nature and the turbulent love life of Charles Philip Arthur George, which was widely reported in the media, the audience learned some new, unusual stories about the 41st ruler since William the Conqueror (1066). For example, that the new monarch prefers his official residence in London – Clarence House, to Buckingham Palace, eggs baked with cheese are among his favorite dishes and he wore an almost forty-year-old suit at the wedding of son Prince Harry to his Meghan. The king’s favorite shoes have also been with him around the world for quite some time. They date from 1971. That King Charles III. stands for sustainability has also been known for decades. And what was once ridiculed could now prove to be a huge asset, potentially earning it a place in the history books as the ‘environmental king’.
Royal everyday life set to music
The appropriate musical accompaniment for the reading evening was offered on Saturday by the “Austrian Brass Consort, a group of young musicians who reinterpret sacred and secular vocal literature with brass instruments. During “Day with the King” they devoted themselves to the everyday and less everyday obligations of a monarch from sunrise to the end of the evening at the opera, thus creating a sonorous connection to the reading by Lisbeth Bischoff. “Of course” the sounds to “God save the King” formed the appropriate conclusion. (cth)
