A peaceful brotherly relationship! Victoria Bedos has embarked on the production and will offer spectators her very first film The most beautiful to go to dance next Wednesday, April 19. She surrounded herself with Philippe Katerine, Brunette Mill, Pierre Richard or Firmine Richard for this personal comedy. In this feature film, the public will discover the story of Marie-Luce Bison, a 14-year-old young woman, raised by her father in a boarding house for seniors of which he is the director. And the teenager, never invited to the parties, decides to dress as a man, and ends up seducing a good number of her comrades. The young woman then decides to invent a male double, and during this time, her relationship with her father begins to deteriorate. This scenario is clearly inspired by the discrepancy experienced by Victoria Bedos during her youth with her generation.

The more we grow, the more we live together wonderfully well

Victoria Bedos gave an interview to the magazine Here is, available on newsstands this Friday, April 14, on the occasion of the film promotion. She returned to her work as a director and the relationship with her father and her brother, Guy and Nicolas Bedos. “You had an ‘intrusive’ father, and you have a brother who takes up a lot of space too…”, affirmed our colleagues during their interview. “My father was not only intrusive, he brought me so much love, offered such a solid emotional and intellectual base to get me through life. It was my landmark. Now that he’s gone, I had to create a little armor around me…“, she explained, before returning to her current relationship with her big brother. “As for my brother, the more we grow up, the more we live together wonderfully well. Because he too is a landmark for me. And all the more so since dad died. With Nicolas, we found our rhythm of love, it’s quite nice.

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It’s an obsession

Victoria Bedos has never hidden her difficulty in finding her place within her family, a central theme in her works, and has also confided in this subject in the columns of Here is. “It’s an obsession, actually. It’s funny because The Aries Family (she was in the script for the film, editor’s note) told the story of a young girl who was not heard. There, it’s a young girl who is not watched (about her film, editor’s note). For the next film, it will be a young girl who is not felt, or touched, or tasted!”, she asserted. Before concluding, “In fact, sometimes we have the impression that we are not being looked at when the reality is more ambiguous.

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